Danny Elfman, who even sounds like a children's character, is the man behind The Simpsons theme tume, as we know. He is also the man who wrote the influential and rather beautiful Edward Scissorhands music, as well as the music for probably every other Tim Burton film.
Including "Charlie and the Chocolate Factory", the soundtrack of which we gave Noo as a nice small extra birthday present.
All I can say is, thank god he's such a decent tunesmith, because we're being subjected to tracks 1-5 of the CD probably anything up to eight times a day,or were, until we exerted the "once a day only" rule - now we're managing to hold it off until just after breakfast.
The first track is a bizarre introductory number Burton's Wonka uses with a bunch of electronic marionettes to explain who he is ("Willy Wonka! Willy Wonka! He's the greatest Chocolateer!") then the 4 serial killer songs for Augustus, Violet and Veruca and Mike. Violet's song is a misfired soggy funk number with a fun chorus but all the others are brilliant. All using of course the original Dahl lyrics. The Mike TV song really doesn't work in the actual film - you can't hear the lyrics and it' goes by in a whirr. On CD however, having a chance to really listen to it, it's a very clever parody. My favourite, which must at some point soon be included in the live repetoir of some fun loving indie band or other is Veruca's sugary psychedelic number.
Both Mackay and I have told each other off for humming, whistling or singing these bloody songs around the house.
Meanwhile, Nora has not been back to the book of Charlie since she got the film, which she adores. this makes me think that maybe we shouldn't get her any more films relating specifically to classic, wonderful stories which as a kid I must have read, and re-read countless times. When we were yuong, a film might be on the TV once a year if you were lucky, and if anything made you wantto go back and read the book again even more. Now, with films available at the drop of a hat, almost no media title is unfindable, or unviewable, or at least, searchable for, then having available permanently within a couple of days. I don't think that kind of ubiquity is necessarily to the detriment ofthe "magic" of a wonderful film, but it does get in the way of helping a child to enjoy the whole reason the film was made in the firstplace - the glorious magnificent cruelty of the original novel.
I hope we haven't lost her to the movie completely, and she will return to it eventually (it has a chapter title "The Buckets begin to starve"!). In the meantime, we will not be seeking out the delightful animated" James and The giant Peach" just yet.
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